Lilly Muth's use of two halves of a circle in her paintings, which overlap or melt into each other, is a fascinating artistic representation of Plato's concept of love. Plato's philosophy on love, as described in "Symposium," indeed explores the idea of humans seeking their other half to achieve a sense of completeness. Here's how Lilly Muth's art aligns with this concept.

Symbolism of the Circle Halves: The use of two halves of a circle in her paintings can be seen as a visual metaphor for the idea that each individual is only part of a whole and seeks to reunite with their missing counterpart. This concept reflects Plato's notion that love is about the reunion of these halves.

The overlapping or melting of the circle halves in her art might represent the process of two individuals coming together in love. As these halves merge, they create something new, symbolizing the transformative power of love in Plato's philosophy.

Incomplete Wholeness: Plato's idea that the reunited halves do not form a complete whole again is intriguing. It suggests that even in love and unity, individuals retain their distinct identities. Lilly Muth's art captures this aspect by portraying the circles as separate but interconnected, emphasizing the uniqueness of each half.

Formation of Something New: The notion that when the two halves meet, they create something new aligns with the creative and innovative aspect of love. This idea may be symbolized in her artwork by the resulting shapes or patterns formed by the merging circles, signifying the unique union of two individuals.